"The owners of the libraries, which are now increasingly under corporate consolidation, see this as a ready source of income," Else says. "It has turned our history into a commodity. They might as well be selling underwear or gasoline."
And there's another catch: tighter legal restrictions.
Copyright legislation has grown stricter in recent years to protect media owners from digital piracy.
Broadcasters and film distributors, in turn, have become more stringent in making sure they are legally covered, too. As illustrated in a recent study by the American University in Washington, which interviewed dozens of documentary-makers on the myriad problems of getting copyright clearances, broadcasters and film distributors insist that a documentary have what is known as errors and omissions insurance, to protect against copyright infringement. Of course to get it, all copyrights in the documentary have to be cleared anyway.
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